4 МОСКОВСКАЯ
БИЕННАЛЕ
СОВРЕМЕННОГО
ИСКУССТВА



in the center of cyclone
tibetan industrial music

вита адлерберг
евгения емец
алексей тегин PHURPA
святослав пономарев PURBA

24 сентября 20 00
во дворе издательского комплекса ПРАВДА
ул правды 24 м савеловская и белорусская

Вход на ТЕРРИТОРИЮ ПРАВДЫ свободный!
Подношение перформерам приветствуется.


1
в центре циклона всегда присутствует пустота
существующие объекты пусты по своей природе
все явления рождаются из пустоты
пустота - это реальная потенциальность проявлений

свет пронизывает пустоту
звук создает миры
сознание присваивает их и меняется
бесконечная спираль сияющей тьмы
заключенная в черепную коробку сердца

тибетская ритуальная музыка пронизывает все звуковые слои цивилизации
от безмолвия гималаев до индустриального грохота мегаполиса
от проявления радужного тела до испарения вещества в лазерном излучении

перформеры экспериментируют со звуками тибетской традиции
и звуками исчезающих объектов индустриальной цивилизации
наделяя пространство свойствами древних магических ритуалов

ps

2
тело человека естественный резонатор

внутри
мы слушаем звук вещества которое отзывается на звук
извне

граница между внутри и вовне – это собственное звучание тела и состояние ума

частота конкретна как и ее воздействие

волна энергии из центра циклона передается всему что находится в пространстве действия

это пространство не ограничено

частота утончается и бесконечно распространяется в космическое пространство

лишь некоторые из этих частот воспринимаются органами чувствования в зависимости от тонкости их настройки

слушатель внутри нас способен уловить
звучащий внутри нас способен извлечь
наблюдение резонанса способствует организации настройки инструмента

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Впервые в перформансе в качестве звучащего инструмента используется индустриальный объект - "Циклон", измельчитель бумажных отходов (6м высотой, 3 тонны весом). Объект находится в издательском комплексе "Правда".

Куратор проекта Юлия Квасок

http://www.youtube.com/watch?v=j0DzHKmOiuM Mooon A))) live at Pravda 24.07.2011
http://www.youtube.com/watch?v=ZWsBXn2vZBA&feature=related PURBA IN COSMOS
http://www.youtube.com/watch?v=olRAqlsxwdQ phurpa in saratov
http://www.youtube.com/watch?v=m9BjGSpPPks&feature=related tibet
http://www.youtube.com/watch?v=pZWHQTQt_vI&feature=related paris
http://www.youtube.com/watch?v=3_mccJq1sFk&feature=related дудки

Listening in Holy Trinity Church
Prince Consort Road, South Kensington, London SW7 2BA

Doors open for public at 19.00
Start 19.30 (doors are closed promptly at this time and no one is let in due to the nature of the work)

Tickets: £7.00, concessions £5.00

Eugenia Emets in collaboration with Diana Pommills
In Association with Soundfjord Gallery

This event is part of a series of experimental events with audience and performer participation – each event is unique in its arrangement, each created with consideration of space, the role of the performers and audience and the effect that we aim to achieve. The unique acoustic space of the Holy Trinity Church, with its subtle reverb offers deep immersion to the listener.

Our intention is to bring you to a mirror where every detail becomes amplified through experiencing sound and silence. We invite you to participate actively in the listening process: listening to your body, mind, emotions, flow of energy. The setup of the event is informed by the idea of becoming an observer, whose attention is directed inwards.

With understanding that all in the known universe is vibration, we discover the phenomenon of sympathetic resonance through use of certain instruments and playing techniques. There is a lot of scientific evidence of how that works, but we create space where one can become conscious of these processes simply through presence and observation.

As we go on a sonic journey the sounds enable us to fully embody the silence and reflection within. A deeply peaceful place that we have access to at all times.

Sound artists:

Eugenia Emets

Eugenia is visual and sound artist, Artistic Director and founder of the Analema Group. In her work she focuses on exploring the unifying nature of light, sound and matter. She experiments with immersive spatial installations, questioning and pushing the boundaries of human perception. Through photography, video, laser, holographic and sound projection, she creates multisensory environments in which participating audience may have a direct experience of intricate layers of reality, observing one’s own physical, psychic and emotional responses.

With a particular interest in the interactivity of space and artwork, Eugenia has recently worked on several projects, which incorporate various technologies to help create immersive experiences. Her recent projects include: ‘Okean X Forms’ (2007), a laser projection with live ambient music, ‘Elements of Light’ (2008), a video, sound and photography installation, ‘Manta Ray’ a holographic video projection with multichannel sound (2009), and recent “A-Field” (2010) by Analema Group.

Eugenia Emets was born in Poltava (Ukraine), in 1979, works and lives in London and Moscow.

http://eugeniaemets.blogspot.com/
http://analemagroup.wordpress.com/

Diana Pommills

“I am a student of life. Sound has always been a part of me. Using vocal expression as my main instrument in various collaborations and solo events. Seems I was always destined to cultivate my passion and love of sound, as from an early age my mother said, I would not go to sleep unless I had the radio on (strange but true!) taking an inter-stellar sound journey even then with an ever evolving path through sound my deepest joy to share with others.”

Diana is a London-based artist. Her solo events and collaborations have taken place at various venues, such as The Hackney Empire Solo performance Vocal Expression and self penned pieces. The Sanctuary Cafe Brighton,The Embassy in London, Oxford University, Madam Jojo's SEB Collective and WAC Hampstead London to name but a few.

Tickets are available here:

http://www.wegottickets.com/event/112476

  Towards a Quiet centre taster by Evgenia Emets

Taking part in the show organized by SoundFjord
Exquisite Corpse [Five Senses]

Exhibition 13-30 April 2011

Private View: 12 April 2011 | 7:30-9:30pm | RSVP



In April 2010, before SoundFjord opened it’s doors to the public, we (the creative team at SoundFjord) devised a plan for an exhibition, populated by artists’ works created using the ‘Exquisite Corpse’ model as a point of departure.

The Exquisite Corpse is a method made popular by the Surrealists, and is similar to Consequences, the old parlour game. Words, images or sounds are collectively assembled in a specific way, using rules set in advance, for instance, one is only allowed to see/hear the last section/measure of what was previously contributed.
This exhibition documents the works produced, and finally, reveals the artists who worked on the project and whom have hitherto remained anonymous.

SoundFjord
Unit 3b - Studio 28
28 Lawrence Road
LONDON
N15 4ER UK

Please come to see the show Pushkin House presents Dialects Four: HOME-MADE.

Ten Russian female artists invite you for a Centenary Celebration of International Women's Day! The evening of 8th of March starts at 6 pm. Do not miss my sound act at 6.30 pm!

Join us for our exhibition opening and we will treat you to some Magnificent housekeeping: cooking, cleaning, painting, performances, installations and other rituals.

Anna Jouli
Ariadne Adendt
Elena Gavrisch
Kira Zhigalina
Anna Gartsunova
Maria Kapajeva
Miss Rita Zam
Svetlana Bobrakova
Yelena Popova
Eugenia Emets
Alina Dolgin

Exhibition open 9-31 March, 4-7pm Monday-Friday

For the fourth time Pushkin House is pleased to host Dialects, a project that began in 2008, as a platform for emerging artists from a Russian background to showcase their work in London.

In HOME-MADE the artists consider the HOME both as a physical space and as a psychological construct. It is a space of one’s own, whether imaginary or real, where one can dwell within and find an internal balance and feeling of completeness. In this metaphysical space reality and fantasy blur, personal myths are told and in the vein of an old fairytale objects become animated and play in a ‘home-made’ drama.

Through painting, photography, installation and performance the exhibition thus showcases works that explore female subjectivity, where identity is subject to modification and ritualistic renewal so characteristic to nature and life itself.

This new series of work comes directly out of my sound practice.

breath movement breath sound breath movement breath sound breath movement breath sound = This is my circle now

Repeating exactly like this

In between breaths of one continuous sound emerges movement, which sometimes manifests as simple body movement, sometimes as form in material. Each form is manifested from intention and sound, a mother and father principle.

There is manifestation though precision. There is manifestation though calculation. There is manifestation though effort. There is manifestation through pressure.
There is manifestation through vibration with less action.

This is the way I breathe now.

In my dreams I mostly observe, because most of the time I am not aware, I can only remember and recall when I come from the dream reality into the reality of the Dreamworld. Here I can act as connector. Not really to act out a dream, I don’t think it is possible, but manifest dream-action.

Eugenia Emets, March 2011

Evgenia Emets, 2011, Acrylic on Mylar, Unique

Evgenia Emets, Nut, Sound and Acrylic on Mylar, 2011, Unique

The image of Nut with her children has been overpowering for the whole day
I have made this drawing
Then I found out about the mess in Egypt

Evgenia Emets, Opening, 2011, Sound and Acrylic on Mylar, Unique 

Evgenia Emets, Balancing the Opposites, 2011, Sound and Acrylic on Mylar, Unique

Emets, Balancing the Opposites, 2011, Sound and Acrylic on Mylar, Unique

Emets, Balancing the Opposites, 2011, Sound and Acrylic on Mylar, Unique

The process of overlaying layer after layer...

Emets, Balancing the Opposites, 2011, Sound and Acrylic on Mylar, Unique

Emets, Balancing the Opposites, 2011, Sound and Acrylic on Mylar, Unique

Fragment


Fragment

Evgenia Emets, a temporary drawing on a Tibetan singing bowl, 2011 The new series Visual Sound emerged from idea of integrating sound and vision. Through chanting and movement drawings appear as spontaneous and immediate reflection of the moment. They are expressive, simple and dynamic.  During next stages of Visual Sound layers of drawings were overlaid and new coincidences appeared. Transparent material allows playful arrangements revealing depth and interconnecting between them.  There is performative aspect to the project, connecting sound made before and while the drawings is created. Tuning, pause and action are part of the process. Breathing becomes movement and sound becomes visual form.