14 August 12-2 pm
Analema Group presents KIMA WHEEL
For six singers and audience
KIMA invites you to create a composition of sound and light collectively in an open circular space of the Curtain Call at the Roundhouse.
Sounds will form geometric representations, resulting in an ever changing array of visual explorations as a continuously moving, meditative experience. This visual representation, developed jointly by Paulo Ricca and Dario Villanueva Ablanedo, is interpreting sound analysis by Sean Soraghan on the Curtain Call, enhanced by original sound design created by Alain Renaud. These combined vocal expressions accumulate into a complex sonic and visual composition.
Analema Group will explore architecture and acoustics of the Curtain Call through an interactive multi-channel sound and video installation. Curtain Call is large scale immersive installation created by architect Ron Arad in the main space of the Roundhouse, inviting music and visual artists throughout August to interpret the 360-degree canvas through art and music.
Inspired by the space and original poetry, a vocal ensemble will create unique sonic worlds echoing different states of the mind. The idea of stage, of duality between performer and audience is dissolved as performers play among the audience, inviting them to step into these musical worlds.
Participants are invited to visually discover characteristics of the sounds they create. Using immediate visual cues as a graphic score, the audience weaves its own music into the overall fabric of the performance. The performance will be based on a poem ‘Wheel’, written by Evgenia Emets especially for the occasion.
KIMA is performed on the 14th of August at Curtain Call. Microphone stations are installed inside and outside of Curtain Call - to listen to voices, which affect the visual field one by one and all together, forming a complete image. Performers and audience will explore how their sounds and their silences contribute to the experience.
KIMA takes inspiration from self-organising systems and their creative potential. While audiences are creating and composing in real time, they experience sound, as visual image and movement as alternative communication tool. Kima reflects on the philosophical idea of interconnectedness and where every part of the whole is interdependent, nothing is ever isolated. Through sound and movement we evoke qualities of mutuality, ability to listen intentionally and to act with an understanding of reciprocity.
Performance by: Evgenia Emets, Nao Masuda, Rugilė Girdzijauskaitė, Ben Zucker, Mārtiņš Baumanis, Uran Apak and audience
Poem by Evgenia Emets
Vocal interpretation by Ben Zucker and Nao Masuda
Sound design Alain Renaud
Sound analysis by Sean Soraghan
Visual Development byDario Villanueva Ablanedo, Paulo Ricca
Production Oliver Gingrich
Project management Katerina Loschinina
Atta-Anatta is a collaborative sound and visual art project exploring musical spaces through sound, voice and poetry. The duo was formed in March 2016 by Evgenia Emets and Nao Masuda who come from totally different backgrounds and disciplines yet share similar experience, vision and desire in exploring and transcending the boundaries of artforms.
Predominantly using traditional and folk instruments including Nepalese/Tibetan singing bowls, Indian bells, Japanese taiko drums along with their own voices, they explore and express their insights and journey through sound, poetry and visual art.
At the Holy Trinity Church the pair will be tuning into its unique space, architecture and aural qualities, to unfold a journey guided by sounds that reverberate through everything and everybody that happens to be in the space. The space and setting lends itself to an intimate acoustic yet expansive mode of listening and perceiving soundscapes.
The concert will be over an hour long. There will be chairs in the space and you are also welcome to use the floor space. Please bring cushions/mats to make yourself comfortable.
Tickets on the door £7
Address: Holy Trinity Church, Prince Consort Road, London SW7 2BA
Underground: South Kensington, Gloucester Road and High Street Kensington are all a healthy walk away, but with bus connections as below.
Bus: 9, 10, 52, 70, 360, 452 all pass nearby
Parking: Meter parking is available locally, but ‘yellow line’ and residents’ parking bay restrictions can be fierce and may apply over the weekend, including Sundays.
Venue web: http://www.htsk.co.uk/
‘I AM’ is a performance for four performers and audience in three languages from the Baltic countries.
Originally performed at the Baltic Art Form and presented by Analema Group, the piece proposes the participatory sound and visual performance KIMA, exploring soundings of the languages from the Baltic region through a multi-lingual poem by Evgenia Emets and a composition created in collaboration with Ben Zucker, performed by the audience and a choir. Poem and performance created by Evgenia Emets, vocal interpretation by Ben Zucker. Performance by: Evgenia Emets, Kate Smith, Mārtiņš Baumanis, Uran Apak, Ben Zucker and the audience.
Baltic Art Form and Analema Group presents KIMA
4 June, 6 pm-11 pm
Performance ‘I AM’ for four performers and audience in three languages from the Baltic countries
By Evgenia Emets and Ben Zucker
Analema Group presents the participatory sound and visual performance KIMA, exploring sounds of the languages from the Baltic region through a multi-lingual poem by Evgenia Emets and a composition created in collaboration with Ben Zucker, performed by the audience and a choir.
Analema Group presents a site specific, immersive interactive art performance at the Gala Night of the Baltic Art Form. ‘KIMA: I AM’ will explore the relationships between music and light, sound and color, spoken word and written image.
The audience will be invited to co-create together with a choir a vocal and visual space within the Saint Sepulchre Church. Participants will become part of the recitation of a poetry piece which is both sonic and visual, their voices will become colour, light and form. A composition will emerge from all the voices taking part in the performance.
A poem ‘I AM’ created in visual and sonic form reflects on the Baltic culture through the three languages, Lithuanian, Latvian and Estonian, their common roots and their differences. The poem is present in the space as a graphic score and inspiration for the performers. Members of audience will be given a fragment of poetry at the beginning of the evening and will be invited to participate in co-creating a sonic version of the poem.
Poem and performance created by Evgenia Emets, vocal interpretation by Ben Zucker.
Performance by: Evgenia Emets, Kate Smith, Mārtiņš Baumanis, Uran Apak.
Evgenia Emets is a poet and artist. Sound, word, poetry, drawing are the primary elements of her current work. Through installation and performance work she creates experiences, which invite to question the boundaries of perception. Participants come into a direct experience with layers of reality, observing their own physical, psychic and emotional responses. She graduated with an MA in Fine Art at Central Saint Martins College of Art, London in 2008. She is currently based in London. She worked in Moscow with Stella Art Foundation throughout 2005-2008, exhibiting internationally with projects 108, Europe, The Elements of Light. In 2007 she moved to London launching experimental work: Okean X (2007) and Manta Ray (2008). She is Artistic Director and Founder of Analema Group, which created projects throughout 2010 - 2015: A-Field, Root A, Khaos and Kima. www.evgeniaemets.vision
Recent phrases Ben Zucker has begun using in describing his work include “object relations”, “situation creation”, and “human algorithms”. Said work includes concert music, improvisation, electronica, and performance art; it has taken him recently to premieres and shows at the New York Fringe Festival, Northwestern University New Music Conference, the Banff Centre, and the Audio Branding Academy Congress in Berlin (where he was recognized as a “Young Composer Talent!”). Ben is a recent graduate of Wesleyan University, and currently resides in London, where he is an MA student at Brunel University.
Mārtiņš Baumanis is a sound explorer, currently pursuing a MMus in Leadership at the Guildhall School of Music and Drama. He uses his voice, electronics, the piano and anything in between to create meaningful sounds, both as a composer and a performer. Originally from Latvia, he maintains an important connection to the ever singing and musically prodigious Baltic country. Sound for him is a way to break barriers, to shoot right through the inhibitions and reservations of people. Sound can avoid all the rituals of human interaction and get straight to the point, straight to one's inner being, and in this elusive ether work very efficiently to perform social actions and bring people closer to each other.
Kate Smith is a multi-genre vocalist earning her Masters in Leadership at Guildhall School of Music. Her most recent operatic role was Cinderella in Thousand Furs, performed at Kings Place as part of the Tete a Tete Opera Festival (August 2015). Prior to moving to London, she worked as a video producer and singer in Beijing, China. In addition, she produced and performed her own cabaret shows focused on the history and music of Weimar-era Germany, and Shanghai jazz from the 1920s. http://katesmithmusic.com/
Uran Apak is a multimedia artist and voice tutor. He holds an MA in Sonic Arts from Goldsmiths University. Uran’s Istanbul based Nu Park project focuses on theatrical, audio-visual and improvised performance. Uran's London based project WILDEAST is a fusion of Turkish influences with electronic music. Uran also sings and performs with TIC - The Improvisers' Choir. Since 2013, Uran has been facilitating the Voice DNA workshop that allows people to discover their unique voice. Uran is also an award-winning film composer and is currently working on his solo music.